Photo by Carol Rosegg
Gumbo is a hearty, rich, heavily spiced soup that originated in southern
Louisiana in the 18th century. Its stock is strongly flavored with a
variety of vegetables and either meat or shellfish. In Marcus Gardley's
world premiere play "The House that will
not Stand," the Yale Repertory Theatre in a co-production with
California's Berkeley Repertory Theatre, the gumbo dish speaks to
combined cultures that meld and blend together into a unique time in our
southern American history.
Until Saturday, May 10, the gumbo pot will be served up hot and peppery
and it will be a gourmet treat not soon forgotten. It may burn your
tongue and fire your heart and tickle your funny bone all at the same
time.
Beartrice Albans is the powerful, no nonsense matriarch who rules with
an iron fist and steel spine over all she possesses. As a free woman of
color in 1836 New Orleans, she has bargained her way to society's
pinnacle by entering into an illegal interracial
"marriage" with a wealthy white man Lazare (Ray Reinhardt) three decades
before. Beartrice is brought to startling life by Lizan Mitchell who
does not want any of her daughters (Joniece Abbott-Pratt, Flor De Liz
Perez and Tiffany Rachelle Stewart) to submit
to this system of common law mating with a white man, a practice that
does not protect their rights and borders on being a slavery of a
different sort.
Beartrice is so convinced she is right in her beliefs that she argues
and fights with Lazare, ultimately causing his death. He wanted his
daughters to attend a ball, held once a year, that would have matched
them to eligible white men. These men of power were
able to sustain two households, but on their death, only the white wife
could inherit.
Into this house, built on a foundation of lies, deceit and sand, live
Beartrice's half-crazed sister (Petronia Paley) and Makeda, a conjuring,
voodoo believing woman who knows it all and keeps the household
running, a spirited Harriett D. Foy, who will do anything
to earn her own freedom.
This textured and layered canvas is vibrant with a rainbow of colors, on
an elegant drawing room set designed by Antje Ellermann. Patricia
McGregor directs a fine, almost all female cast in a drama that explores
the price we pay for freedom from a multitude
of angles with poignancy and power.
For tickets ($20-98), call Yale Repertory Theatre, 1120 Chapel Street,
New Haven at 203-432-1234 or online at www.yalerep.org. Performances
are Tuesday to Saturday at 8 p.m., with a 2 p.m. matinee Saturday and
some Wednesdays.
Will Beartrice be able to triumph and move her daughters to Paris so
they will be truly free before their beautiful home collapses all around
them?
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