ADINA VERSON AND KATRINA LENK IN "INDECENT" PHOTO BY CAROL ROSEGG
Good theater is supposed to inspire conversation and maybe even a little controversy. Playwrights like audiences to leave their seats with questions and comments, hopefully eager to discuss the play’s finer points or disturbing elements. Sometimes one leaves humming a title song or buzzing with excitement. One never knows and that’s half the fun of venturing into the theatrical unknown.
Good theater is supposed to inspire conversation and maybe even a little controversy. Playwrights like audiences to leave their seats with questions and comments, hopefully eager to discuss the play’s finer points or disturbing elements. Sometimes one leaves humming a title song or buzzing with excitement. One never knows and that’s half the fun of venturing into the theatrical unknown.
For
Paula Vogel’s world premiere play within a play “Indecent,” we are
invited into the lives of Sholem Asch and his wife Matl, snugly
ensconced at the Yale Rep’s University Theatre, 222 York Street, New
Haven until Saturday, October 24. While a violinist, folk dance, song
and a father who is questioning his faith all figure prominently and the
old world flavor and charm of the shtetl are clearly evident, this is
not your grandfather’s “Fiddler on the Roof.”
The
play’s origins began years ago when the director and co-creator Rebecca
Taichman worked on a college thesis of the play “The God of Vengeance”
by Asch and its legal complications. Penned by Sholem Asch in 1907,
“The God of Vengeance” enjoyed an interesting and complicated journey
from its first reading in a literary salon in Germany, its successful
productions across Europe to its dramatic debut in America.
“Indecent”
lets us be privy to that journey and those complications as an intrepid
troupe of performers dedicates itself to bringing this controversial
tale to the public. While it was cheered in places like Berlin, Rome
and ST. Petersburg, this “daring play” confronting “contemporary moral
values” led to the entire cast being arrested on obscenity charges when
it premiered on Broadway in 1923.
“The
God of Vengeance” deals with a devoted Jew who loves the Torah but also
runs a brothel in the basement of his home. His virginal daughter
Rifkele falls in love with a female prostitute Manke, a forbidden
relationship that causes Papa to denounce both her and his religion.
A
talented minyan of ten actors and musicians -Richard Topol as the stage
manager, the actors Katrina Lenk, Mimi Lieber, Max Gordon Moore, Tom
Nelis, Steven Rattazzi and Adina Verson and the musicians Lisa Gutkin,
Aaron Halva and Travis W. Hendrix - bring this involving story to
fervent life in an almost two hour production without intermission. For
tickets ($20-98), call the Yale Rep at 203-432-1234 or online at www.yalerep.org.
Performances are Tuesday to Saturday at 8 p.m., with 2 p.m. matinees
on Wednesday and Saturday. The production will move to the La Jolla
Playhouse in California, who is co-producing it, directly after its New
Haven run.
Immerse
yourself in this extraordinary theatrical production that wrestles with
sin and with God, that bears witness to souls rising out of the ashes
until they are returned dust to dust.
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