Paul Giamaati as Hamlet, Photo by Joan Marcus
Paul
Giamatti has endowed his Hamlet with an usual and often misunderstood
attribute: a sardonic and playful sense of humor. He plays a fool and a
clown as he seriously seeks revenge for his father's murder, he who was
the King of Denmark. Donning modern dress, even at times shorts and a
robe or red sneakers, he takes a distinctly different path to reveal the
perfidy of his uncle, Claudius, the new king and his queen, Gertrude,
Hamlet's newly widowed mother of less than two months. Shakespearian
purists need not apply.
Until Saturday, April 13, Yale Repertory
Theatre will unveil the madness and mania of the Danish prince at New
Haven's University Theatre, 222 York Street. It is rumored that every
seat for every performance has been sold, but try nonetheless.
Paul
Giamatti's Hamlet is brilliantly crafted. Once he meets his father's
ghost and learns he was poisoned by the man who now accounts himself
king, his own brother, Hamlet sets out to unmask Claudius' treachery and
punish his mother Gertrude for abandoning her widow's weeds so unwisely
and fast. Assuming his own cloak of madness, Hamet acts strangely to
his good friends Rosencrantz (Erik Lochtefeld) and Guildenstern (Michael
Manuel), as well as to his supposed love Ophelia (Brooke Parks) and her
father Polonius (Gerry Bamman) and brother Laertes (Tommy Schrider).
When
a troupe of traveling actors arrive at the castle, Hamlet persuades
them to put on a play so close to how Claudius (Marc Kudisch) killed his
brother (also Marc Kudisch) as to cause Claudius to reveal his foul
deed. When Hamlet accuses his mother (Lisa Emery) of her infidelity,
Hamlet accidentlally slays Polonius who is hiding in her room as a spy.
That act causes Ophelia to truly go mad and leads to a string of
tragedies and deaths in its wake. All that is left in the end is
Hamlet's best friend Horatio (Austin Durant) to explain what has
happened and why. James Bundy directs a tale that uses comedy to
underscore the tragedy that consumes and dictates all of Hamlet's
actions. The set by Meredith B. Ries lends itself to the dramatic
events.
For tickets ($20-96), call the Yale Repertory Theatre at 203-432-1234 or online at www.yalerep.org.
Performances are Tuesday to Saturday at 7:30 p.m., with select
Wednesday matinees at 2 p.m. and select Saturday matinees at 1:30 p.m.
The show is three and a half hours in length.
Follow Hamlet, the prince of Denmark, as he feigns madness to uncover the truth of his father's death and seek a justly revenge.
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