Photo by T Charles Erickson
"Sunday
in the Park with George," a musical by the writing team of Stephen
Sondheim and James Lapine, deals with art in general and with artist
George Seurat in particular. Covering two time periods a century apart,
1884 and 1984, and two countries, France and America, it explores the
relationships of an artist to his work and the reactions of the critics
and the public.
The Yale School of Drama has created a masterful,
technically challenging, stunningly beautiful portrait of the
struggling artist trying to prove his worth to himself first and
foremost, and simultaneously garnering the adoration and admiration of
his community of colleagues. Until Thursday, December 20, enter the
artist's world at the University Theatre, York Street, New Haven. You
will never look at a paint brush and palette in quite the same way
again.
Mitchell Winter embodies the souls of both artists named
George who share a passion for creating and a direct lineal
relationship, although the George of the twentieth century resists the
idea that Seurat, the pointillist , could be his great grandfather.
With
exquisite style and attention to detail, we witness the birth of an
idea, as Seurat conceives it, of people strolling in the park by a river
on a sunny Sunday afternoon. With consideration for composition,
balance, light and harmony, he takes a large white canvas and structures
his ideas into a pleasing arrangement. Using the neighborhood patrons,
bakers, soldiers, lovers, families and roustabouts,even his mother and
her nurse, he moves them within his mental framework, using dots and
specks of color that execute his vision of the whole.
Monique
Bernadette Barbee's Dot is his muse, his inspiration, who only gets his
attention when she is his model set in a pose. The announcement that
she is carrying his child is greeted with silence and disinterest and he
allows her to marry Louis, the baker, (Jeremy Lloyd) without a pang of
regret.
His focus is consumed by his art and the completion of
his painting "Sunday Afternoon on the Isle of La Grande Jatte" is his
goal. On stage, it is astonishingly lovely.
The George of the
next century is also consumed with his creations. Like his predecessor,
he wants his art to be appreciated and become a commercial success.
He, too, is plagued with doubts as he tries to conceive a totally new
art form. Ethan Heard directs this truly talented troupe who embrace
this remarkable play and make it totally their own.
For tickets
($25), call the Yale Repertory Theatre at 203-432-1234 or online at http://drama.yale.edu/. Performances are Monday-Thursday at 8 p.m., with
general seating.
Watch a grand painting, one of only a handful
that Seurat painted but never sold, come to life before your eyes as you
are made privy to the artist's vision and soul.
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