HANNAH CABELL, MARIN IRELAND AND POLLY LEE PHOTO T.CHARLES ERICKSON
Marie
Antoinette was a little girl who liked to play dress-up, an Austrian
princess who married at age fifteen to Louis XVI, soon to be the King of
France. This alliance of countries brought a sheltered and naive girl,
beautiful and gifted in musical skills, to a great position of power at
only nineteen. Her mercurial reign was legendary, filled with
destructive rumors and scandals, marked by turbulence, at a time when
the peasants of France rose up and demanded a voice of equality and
democracy.
To enter the royal palaces of the queen, to follow
this Hapsburg princess from beloved to reviled to her dramatic end at
the guillotine, be entranced by the world premiere of "Marie Antoinette"
by David Adjmi at the Yale Repertory Theatre in New Haven, a
co-production with the American Repertory Theater in Cambridge,
Massachusetts, until Saturday, November 17.
Marin Ireland
delightfully embodies Marie, at once frivolous and impetuous, petulant
and indulgent, a butterfly who loved parties and gambling and dressing
up in haute couture in the most extravagant of styes. She was in many
ways the opposite of her husband, played to perfection by a reclusive
and indecisive Steven Rattazzi, who would have been happier tinkering
and playing with his collection of clocks than running a vast empire.
Marie's
brother Joseph (Fred Arsenault) comes to court to counsel the couple
when, after seven years of marriage, they have not produced an heir.
His advice works and their first child, a daughter, is born a year
later. Rumors that Marie is having an affair with the Swedish diplomat
Axel Fersen (Jake Silbermann) does not endear her to her subjects,
especially as they blame her and her excessive lifestyle for their
poverty.
When the peasants revolt and massacres cause blood to
run red in the streets, the opulent life of the royal family is doomed.
Rebecca Taichman directs this personally revealing tour of one of the
most exalted and vilified personages of history, the symbol of the end
of European monarchies. Riccardo Hernandez crafts a fascinating set to
showcase the action while Gabriel Berry's costumes are a fashion parade
of frivolous fun.
For tickets ($20-96), call the Yale Repertory
Theatre, 1120 Chapel Street, New Haven at 203-432-1234 or online at
www.yalerep.org. Performances are Tuesday to Saturday at 8 p.m., with
matinees Saturday at 2 p.m. and selected Wednesdays.
Can a
princess, born into a life style where she had one hundred and
twenty-four kitchens in her Austrian palace, find happiness in a
political alliance engineered by her mother? Will she heed the warnings
of the sheep (David Greenspan) as she plays at being Little Bo Peep?
Let this fascinating tale capture the tragedy of a girl born to be a
queen whose butterfly wings are traumatically clipped.
No comments:
Post a Comment