TRAVEL THE WORLD MUSICALLY WITH THE CGMC

What would the Christmas holidays be without a visit with those jolly guys

who comprise the Connecticut Gay Men’s Chorus, with their angelic 

harmonious voices and Santa sack full of irreverent wit?  For the 34^th year,

this 30 member strong chorus will be performing for your holiday 

delight: on Saturday, December 1 at 1 p.m. at the Katherine Hepburn 

Cultural Arts Center, 300 Main Street in Old Saybrook and again on Saturday,

 December 15 at 8 p.m. at The Theater at the CoOp (Cooperative Arts 

and Humanities High School), 177 College Street, New Haven.

Get your candy canes and tinsel ready for a festive program of fun 

traveling around the world with the CGMC as your tour guides, going to 

places far and wide, new and familiar, to cultures that you may not have 

realized even existed. Entitled “Pole to Pole: Holiday Celebrations from 

Around the World,” you will be treated to sentimental holiday favorites as

 well as unique offerings that will amaze and delight. 

Only the CGMC knows how to mix the classics with the riotous in a spicy

holiday punch that is sure to intoxicate your senses. Songs and traditions 

from other countries such as Conrad Susa’s Carols and Lullabies, which 

integrates ten of the most beautiful carols of the Spanish-speaking world, 

accompanied by harp, marimba, and classical guitar. 

Greg McMahan, Artistic Director of the CGMC, promises such unusual 

treats as disco angels and dancing recycle bins when you receive the gift 

that stops your heart …fruitcake! He promises “We turn the holidays on 

their heads and set them back up again! “

Tickets for The Kate are $30 and for the CoOp, $25 and $30, and are 

available now at www.ctgmc.org or by calling 203.777.2923.  10% of 

tickets will be offered to LGBT youth, AIDS outreach, and other social 

outreach programs at no cost.

Don’t let the holidays escape without a visit with the gentlemen who put the

wise in wise men and angel in angel food cake, all the while kicking up their 

heels and shaking their sequins for the maximum in holiday fun.

.  

“CLEVER LITTLE LIES” BEING SPUN AT CT CABARET

CAST OF "CLEVER LITTLE LIES," COURTESY OF CT CABARET

If your mother thinks she’s a detective, a cross between

Sherlock Holmes and Agatha Christie’s Hercule Poirot, it

is advised not to tell your father any secrets. He is

doomed to blather them all, with only a small amount of 

persuasion. He does not even need to be tortured along

the way.

The case in point is Alice, a happily married Karen

Gagliardi, who runs a book shop and lives vicariously

through the heroines in the novels she sells. She is

disillusioned that current readers have deserted

Austen and Dickens and prefer the salacious tales like

“50 or 60 shades of Grey.” When her hubby Bill, a

devoted Michael Gilbride, comes home from a tennis

match with their son Billy and boasts about winning,

Alice’s antenna immediately suspects there is a story

he is concealing.

Come put your ear to the bedroom door of Joe DiPietro’s

comedy “Clever Little Lies” being entertained at the

Connecticut Cabaret Theatre weekends until Saturday,

December 15.

Alice couldn’t be more right and before you can say

“who wants a piece of cheesecake?” three times, she

has invited son Billy, a new dad and an even newer

adulterer Chris Pearson, and wife Jane, an excited

and exhausted Tracey Brown, over to fix the problem.

Confessions are soon spilling from the most unlikely

places, as baby Emily cries, and the four try to diagnose

how to save not one marriage but two. The conversation

is frankly sexual as each unburdens and confesses and

tries to find the shiny happy side of life. Billy’s young

fantasy woman, his personal, very personal, trainer at

the gym figures significantly in the lust/love equation.

Kris McMurray directs this comic homage into what can

happen to even the most stable of marriages when

eyes stray.

For tickets ($34), call CT Cabaret Theatre, 31-33

Webster Square Road, Berlin at 860-829-1248 or

online atwww.ctcabaret.com. Performances are

Friday and Saturday at 8 p.m., with doors opening

at 7:15 p.m. Remember to bring goodies to share

at your table or plan to buy dessert and drink on site.

Marital challenges and the very real question of trust

loom large as both couples chase happiness and try

to make it their own.

PULL THE “RIPCORD” FOR COMEDY AT SEVEN ANGELS

PEGGY COSGROVE AND MARINA RE IN "RIPCORD"
PHOTO BY PAUL ROTH

The Bristol Place Senior Living Facility is in grave danger of being lifted off its foundation. This situation is not because of a hurricane or other natural disaster but rather is due to the new roommate that has arrived at Abby’s doorstep. Abby likes to be in control of her surroundings and a talkative and bubbly addition to her space is not acceptable or tolerated. In the past, she has been able to encourage the temporary invaders to vacate the premises, but the new gal Marilyn refuses to budge. Talk about “The Odd Couple.”

Settle back at the Seven Angels Theatre in Waterbury for a thoroughly delightful visit with Abby and Marilyn as David Lindsey-Abaire’s comedy “Ripcord” pulls out all the punches until Sunday, December 2. 

People of a certain age can be forgiven for being set in their ways, but Abby carries that philosophy of life to extremes. Marina Re’s Abby is as cantankerous as Scrooge and proud of it. Like a three year old in the sandbox, she has declared her room off limits to any one else. She is not above bribing the genial aide who deliveries glad tidings and medication, Jovan Davis’ Jonny, to help her get her way.

Peggy Cosgrove’s Marilyn is sunshine herself, but she is not about to move her belongings to another floor. She likes the view from the window and she is ready and willing to tolerate Abby’s inhospitable ways. The two are about to wage the fight of the century when they decide on a bet: if Abby can make Marilyn angry, she wins, but if Marilyn can make Abby show fear she will be the victor. Abby will either gain her room back or Marilyn will move into the favored bed by the window.

The pranks they each stage grow wilder and soon cut close to home. Abby involves Marilyn’s daughter Colleen, a caring Julia Register, and her husband Derek, an accommodating Ben Paul Williams. In turn, Marilyn digs into Abby’s past and produces an unwelcome Benjamin, an asking for forgiveness Ed Rosini. The personal attacks escalate to life threatening stages. Brendan Burke directs this look at the escapades of senior citizens with a hilarious eye.

For tickets ($42-55), call Seven Angels Theatre, 1 Plank Road, Waterbury at 203-757-4676 or online at sevenangelstheatre.org. Performances are Thursday at 2 p.m. and 8 p.m., Friday at 8 p.m., Saturday at 2 p.m. and 8 p.m. and Sunday at 2 p.m. Thanksgiving week shows are added for Tuesday at 2 p.m. and 8 p.m. but not on Thanksgiving Day. Watch for a return of “Christmas Eve at Earlene’s Diner” from December 7-19 and a holiday visit with The Edwards Twins on Thursday, December 20 at 2 p.m. and 7:30 p.m.

Come root for these two women at a crossroads in life as they battle for their rights and almost kill themselves and each other in the process.

"CAT ON A HOT TIN ROOF" SIZZLES AT MTC

Music Theatre of Connecticut is honoring the literary genius of playwright Tennessee Williams with an intensely sizzling rendition of the Southern dramatic classic “Cat on a Hot Tin Roof” until Sunday, November 18.  The production is sultry, sexy, sensual, stormy and steamy.

It is Big Daddy’s birthday and the family has all gathered to celebrate. They all know that he is dying of cancer and are, for the most part, anxious for part of his 28,000 acre cotton estate and all the wealth that comes with it.  Frank Mastrone is expansive and pompous as the master of his kingdom, not knowing the truth of his medical exams.

The Pollitt household is filled with lies and deceit as each member distorts the truth to suit his own purposes. Cynthia Hannah’s Big Mama exudes charm and good will even though she knows in her heart that her husband does not love her at all, while she worships him.  Son Gooper (Robert Mobley) and his wife Mae

(Elizabeth Donnelly) are practically salivating over the prospects of inheriting the plantation, not missing a single opportunity to denigrate brother Brick and his wife Maggie. 

After the death of his great friend and football buddy, Brick has taken to a love affair with liquor, further neglecting his wife best known as Maggie the cat. Michael Raver’s Brick is indifferent to Maggie, to inheriting the estate, to life. He is slowly drinking himself to the grave.  Andrea Lynn Green’s Maggie 

uses all her feminine wiles to entice Brick into bed but she is doomed to fail.  The presence of Doc Baugh (Jeff Gurner) and the Preacher (Jim Schilling) only serve to escalate the  troubled talk and anxious action. Kevin Connors directs this intense family confrontation with a firm hand, on a Mississippi plantation set designed by Kelly Burr Nelsen.

For tickets ($30-55), call Music Theatre of CT, 509 Westport Avenue, Norwalk (behind Nine West Shoes)

at 203-454-3883 or online at www.musictheatreofct.com.  Performances are Friday at 8 p.m., Saturday at 4 p.m. and 8 p.m. and Sunday at 2 p.m.

An Evening with Broadway star Adam Pascal, with Larry Edoff on piano, will take place on Saturday, December 1 at 8 p.m. ($75. $65)

Will Maggie the cat be able to stay on that hot tin roof long enough to save her soul and win back her husband Brick? Come judge for yourself.

COME HEAR A DIFFERENT ”LOVE SONG” IN NEW HAVEN

                                     SUSAN AND GEORGE KULP IN "LOVE SONG"

                                         

                                  JO KULP AND CHRISTIAN SHABOO IN "LOVE SONG"


If your life seems to be a monochromatic brown or grey, you are doomed to be unhappy and alone and even a hearty dose of Prozac is not likely to fix what ails you.  Beane, a depressed Christian Shaboo, is in that state and he has accepted it as his normal lot in life.  In great contrast to Beane are his sister Joan and hubby Harry, a married –in-real-life couple Susan and George Kulp, who are vibrant and productive, happy to reside in a lovely detailed home, where lively conversations verging on debates take place. 

For all Joan and Harry are high on life, and on wine, the contrast to Beane is sad to witness.  They try to help him, to reach into his psyche and strike a chord of humanity, but Beane is clearly not at home. To enter this world of differences, head to the New Haven Theater Company’s current offering of John Kolvenbach’s quirky comedy “Love Song” playing until Saturday, November 17.

Ironically it is a robbery that sets Beane on a new path and wakes up his desire to join the human race. In an apartment, where his most treasured possessions are a spoon and a cup, Molly the thief, the real life daughter of the Kulps, Jo, has arrived to steal.  She is disappointed and really angry that Beane is bereft of anything of note.  Where is his artwork, his television and stereo, not a thing worth pinching can she find. Finally she settles on his jacket and jeans, but she berates him for his paltry pickings. Their verbal exchanges are amusing.

Who is Molly and how and why has she given Beane a sense of hope and promise and I daresay love. Joan and Harry are mystified by this new elusive and expansive being.  Yet they are secretly elated.  They suspect drugs are the answer for what else could explain the drastic changes in personality and outlook.  What is more troubling is they can’t find a trace of Molly no matter where they look. Margaret Mann and John Watson direct this foray into fantasy and riff with reality.

For tickets ($20), go online to nhtcboxoffice@gmail.com. The New Haven Theater Company, 839 Chapel Street, New Haven is located at the back of the vintage consignment shop EBM, the English Marketplace. Performances are at 8 p.m. Thursday, Friday and Saturday.

Watch how a turkey sandwich, a melon, a cup and spoon, a mousetrap, wallpaper, a jelly donut and a lot of wine influence and transform the lives of all the participants in this wildly different song of love.

“ONE FLEW OVER THE CUCKOO’S NEST” AT PLAYHOUSE ON PARK

THE STAFF AND INMATES AT "ONE FLEW OVER THE CUCKOO'S NEST"

 In these troubled times, when mad men with guns enter schools, churches, synagogues, concerts, nightclubs and any venue where people gather to learn, pray, sing, dance and participate, there is a renewed emphasis on mental illness and the reasons why such tragic events occur. Is the line between sanity and insanity a narrow tightrope walk? When Randle Patrick McMurphy chooses to commit himself to a mental institution as an easy way to fulfill his punishment instead of jail time, he finds himself truly in a madhouse. This fun-loving, gambling fool, this devilish and self-confident rogue, this arrogant and disrespectful of rules hustler quickly locks horns with Nurse Ratched, the titular head and ultimate authority at the mental hospital.

 

To get a front row seat to the verbal and emotional fisticuffs, book a reservation at West Hartford's Playhouse on Park’s gripping production of ”One Flew Over the Cuckoo’s Nest,” by Dale Wasserman, based on Ken Kesey’s novel until Sunday, November 18. This is the Playhouse’s tenth season and it is marked by bravery and excellence.

 

Wayne Willinger is outstanding as the swaggering R. P. McMurphy, who assumes leadership of the patients in his ward as soon as he steps over the threshold, bumping out the unofficial head of the pack Dale Harding (Adam Kee ) without so much as a whimper. His bravado and aggressive stance speak volumes.

 

McMurphy’s new gang includes Billy (Alex Rafala) an insecure, nervous and shy boy masquerading in a man’s body, Cheswick (Rick Malone) a big talking guy who lacks the courage to follow through on his grandiose ideas, Martini (Harrison Greene) a friendly Italian chap who hallucinates he is in combat, Frank (John Ramaine) who entertains delusions, Ruckley (Ben McLaughlin) who is preoccupied with building bombs and obsessed with destruction and Chief Bromden (Santos), the play’s narrator, a schizophrenic Native American who pretends to be deaf and dumb until McMurphy challenges him to respond.

 

The talented cast also includes the tyrannical and controlling Nurse Ratched, a strong willed Patricia Randell, who confronts McMurphy in a struggle for power and is willing and eager to go to any lengths to win the war, the ineffectual Dr. Spivey (David Sirois), McMurphy’s girlfriends Candy (Athena Reddy) and Sandra (Katya Collazo) who as prostitutes liven up the midnight party on the ward as well as the staff help (Justin Henry, Lance Williams, Andrew R Cooksey, Jr. and Katya Colazo) who dance to Nurse Ratched’s tune. Ezra Barnes directs this peek into humanity’s dark and troubled souls, revealing their secrets with skill and sensitivity.

 

For tickets ($25-40), call the Playhouse on Park, 244 Park Street, West Hartford at 860- 523-5900, ext 10or online at www.PlayhouseOnPark.org. Performances are Wednesday and Thursday at 7:30 p.m., Friday and Saturday at 8 p.m and Sunday at 2 p.m., followed by a Talk Back with the cast. For more information about mental illness, you are encouraged to reach out to NAMI Connecticut, at www.NAMICT.orgor call 860-882-0236, ext. 30.The organization provides support, education and advocacy to Connecticut citizens affected by mental illness.

 

The play’s title comes from a nursery rhyme, “one flew east, one flew west, one flew over the cuckoo’s nest.” You will not soon forget Randle Patrick McMurphy and his friends and your visit to the Oregon asylum they called home in the 1960’s.

GRAPPLE WITH THE PLIGHT OF “THE PRISONER” AT YALE REP

MAVUSO (HIRAN ABEYSEKERA) AND EZEKIEL (HERVE GOFFINGS)     PHOTO BY JOAN MARCUS

A prison is usually a formidable concrete structure, with steel bars and armed guards charged with keeping the inmates contained.  One can also create a prison in one’s own mind, a secluded sanctuary where you can retreat and live trapped in your own thoughts.  Neither one is easy to escape.  Most of our daily 65.000 thoughts repeat over and over again day after day.

 

The Yale Repertory Theatre in New Haven is inviting you to make an intimate acquaintance with “The Prisoner” written and directed by Peter Brook and Marie-Helene Estienne making its U.S. premiere until Saturday, November 17.  It may engage your mind and imagination, trouble you with its implications and wake up thought provoking ideas.

 

Hayley Carmichael serves as the narrator, a woman bent on adventure and discovery, on a journey with nature as her goal. On her trek, she happens upon a man sitting outside a prison, staring at the edifice as if willing himself inside its gates.  The man, Mavuso, a deeply troubled Hiran Abeysekera, has been sentenced to stay in that small space, contained by mere sticks on the ground, without walls, for twenty years until he achieves redemption.

Mavuso has committed a heinous crime:  he has killed his father.  The reasons are complicated and shrouded with guilt.  He discovered his father sleeping with Nadia, the sister he himself loves inappropriately.  Does he kill his father to save his sister or out of jealousy for his own feelings?

His sister Nadia, who may have acted out of compassion for her father’s loneliness after his wife’s death, comes to visit her brother, to console him and to tell him the news of her pregnancy.  Kalieaswari Srinivasan as Nadia is as much in a prison as her brother.  Their uncle Ezekiel, who knew what was happening and did nothing to stop the incest, is also not blameless in the crime.  It is he who takes the baby from Nadia, after having sentenced Mavuso to his fate.

 Herve Goffings as the uncle steps in to take the child and is as much in exile as his niece and nephew. Mavuso is

visited by his family and by Omar Silva in his role as guard and man, but little relieves his punishment as he thinks about his crime and faces the dire consequences of his own actions.

 For tickets ($ 26-92), call the Yale Rep, 1120 Chapel Street, New Haven at 203-432-1234 or online at www.yalerep.org. Performances are Tuesday at 8 p.m., Wednesday at 2 pm. and 8 p.m., Thursday and Friday at 8 p.m. and Saturday at 2 pm. and8 p.m.

 “The Prisoner” is very much a cerebral play, where your thoughts dictate your feelings, as you identify with a man weighing his own actions against the rituals of atonement, the burden of never forgetting and the need for truth and reconciliation.